In the footsteps of medieval monks – the hidden face of the Ivanovo Rock Monastery

High in the canyon of the Rusenski Lom River lies one of the most impressive spiritual centers of Bulgaria. It is a complex of dozens of rock-hewn cells, chapels and churches carved on both sides of the river, which came to life in the 13th century as part of the Ivanovo Rock Monastery "St. Archangel Michael".

The most impressive rock church in the area is the Church to the Holy Theotokos (Mother of God) included in the UNESCO World Heritage List with frescoes dating to the 14th century. What tourists see, however, is only a small part of the once vast monastery. The majority of the churches are located in the "Pismata" area on the right side of the Rusenski Lom River.

"This tour is more like a tourist hike, with walking in the Rusenski Lom valley and visiting the monastery parts themselves. But we walk along paths, some of which are steeper in places, we climb wooden stairs. It is necessary for participants to be dressed appropriately for such short hikes, to bring water, a hat, etc. and to be careful, in view of which it is desirable that these groups do not exceed 15 people. The duration is relative and depends on the group and the people, but is around 3-4 hours."

The passage through the rock massif, all "pierced" with churches, chapels and cells, requires good physical condition. Evgeni Georgiev leads the groups to some of the eight main complexes, chosen specifically for the frescoes preserved in them, which tell the story of the flourishing of the Ivanovo Rock Monastery between the 13th and 14th centuries:

"The first monastery to be examined is the complex at the Buried Church, where the very beginning of the monastery was laid by Patriarch St. Joachim I (editor's note: the future first Patriarch of Tarnovo (1235 – 1246)), after returning from Mount Athos with a donation from Tsar Ivan Asen II. This Bulgarian saint served in the church as the first abbot of the monastery. There are two preserved churches with frescoes here, and in one of them there is also a donor composition, which depicts the donor – the Bulgarian Tsar Ivan Asen II, presenting a model of the temple of St. Archangel Michael."

For Evgeni Georgiev, the true value of this journey is not only in the artistic masterpieces:

"In my opinion, the most valuable thing in this case is this time transfer to a long-gone era. Because we really see the monasteries as they were in the 13th – 14th centuries. This is not something transferred to a museum, but we see it on site, as it once was. The valuable thing here is that unlike the masonry churches that our archaeologists discover – usually these are only their foundations during excavations, here we have a completely preserved interior. And when we come across the preserved frescoes, this time transfer is quite striking," tour guide Evgeni Georgiev concludes.